Holiday apartments Cortona, Tuscany, Italy, Podere La Vecchia Fornace, relax, suitable for children, children playground

Originally an Umbrian city, it was conquered and enlarged by the Etruscans, who called it Curtun. Cortona eventually became a Roman colony under the name Corito. During the barbarian invasions of the 553, Cortona was sacked and destroyed by the Goths. Cortona became a Ghibellinian city state in the 13th century, with its own currency. From 1325 to 1409 the Ranieri-Casali family successfully ruled the town. After being conquered by Ladislaus of Naples in 1409, Cortona was sold to the Medici in 1411. In 1737, the senior branch of the Medici line went extinct and Cortona came under the authority of the House of Lorraine. Following the Italian Wars of Independence, Tuscany - Cortona included - became part of the Kingdom of Italy.

The foundation of Cortona remains mixed in legends dating to classical times. These were later reworked especially in the late Renaissance period under Cosimo I de' Medici. The 17th-century Guide of Giacomo Lauro, reworked from writings of Annio da Viterbo, states that 108 years after the Great Flood, Noah navigated entered Valdichiana via the Tiber and Paglia rivers. He liked the this place better than anywhere else in Italy, because it was so fertile, and dwelt there for thirty years. Among Noah's descendants, a son named Crano came to the hilltop and, liking the high position, the fine countryside and the calm air, built the city of Cortona on it in 273 years after the Great Flood.

The prevailing character of Cortona's architecture is medieval with steep narrow streets situated on a hillside (altitude 600 metres), embracing a view of the whole of the Valdichiana. From the Piazza Garibaldi (still referred to by the local population by its older name, Piazza Carbonaia) is a fine prospect of Lago Trasimeno, scene of Hannibal's ambush of the Roman army in 217 BC (Battle of Lake Trasimene). Parts of the Etruscan city wall can still be seen today as the basis of the present wall. The main street, via Nazionale, is the only street in the town with no gradient, and is still usually referred to by locals by its older name of Ruga Piana.

Inside the Palazzo Casali is the Museo dell'Accademia Etrusca, displaying items from Etruscan, Roman, and Egyptian civilizations, as well as art and artefacts from the Medieval and Renaissance eras. Among its most famous ancient artefacts is the bronze lampadario or Etruscan hanging lamp.

Etruscan chamber-tombs nearby include the 'Tanella di Pitagora', two at the foot of the hillside at Il Sodo, and a complex in Camucia itself.

The town's chief artistic treasures are two panels by Fra Angelico in the Diocesan Museum, an Annunciation and a Madonna and Child with Saints. A third surviving work by the same artist is the fresco above the entrance to the church of San Domenico, likewise painted during his stay at Cortona in 1436. The Academy Museum includes the very well-known painting Maternità of 1916 by the Cortonese artist Gino Severini. There are also examples of the works of Pietro Berrettini (1596–1669), called Pietro da Cortona, pupil of Andrea Commodi.